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Sihasin & Lindy Vision
May 4thAnn Napolitano
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thNew Mexico Heritage Celebration
May 18thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thCarolyn Wonderland
July 23rdLara Manzanares
July 24thCarolyn Wonderland
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thAlejandro Brittes
September 20thThird World
October 3rdCeú
October 8thTopHouse
November 21stJoe Pug (New Date!)
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This show was rescheduled from April 5. All tickets to the original concert will be honored.
Tickets cost $22 in advance, $24 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Joe Pug's latest record The Flood In Color is nearly four years in the making. But that betrays the fact that the making of the album was one of the most natural and rewarding processes of his career. Produced by Kenneth Pattengale of the Milk Carton Kids and engineered by Matt Ross-Spang, the album started with the goal of focusing on the simplicity of musicians playing together, live, in the same room. Recently relocating back to his childhood home in Prince George's County, Maryland after many years spent in Chicago and Austin, Pug wanted take a new approach. The partnership with Pattengale proved to be an irresistible opportunity to do just that.
"The past couple of albums haven't always been the most enjoyable to record. The process can really bring on all sorts of pressures about what you should be doing and how you should be doing it, both internally and externally. Lots of 'Songs need to be 3 and half minutes long' and 'You need something that will work on AAA radio.' And the end result is this strange gravity that just weighs you down." Pattengale, a fan of Pug's music since the days so of his 2010 EP Nation of Heat, was eager to try a back-to-basics approach.
"So Kenneth and I sort of had the idea to strip all that away. I was just going to write songs. And I was going to do it in a way that came naturally to me, and that I enjoyed. Get rid of all the external bullshit. Look... music isn't my entire life. Sometimes I want to write songs. But other times I want to read books. I want to play with my kid. I want to cook. A couple years ago I started a podcast. So that's sort of how I approached this one. I'll write songs the way I write songs. And when Kenneth and I had a few that we felt good about, we got together and dialed them in a bit further and worked on arrangements. Almost as friends as much as anything. And when we got them to a place we were happy with, we went to Nashville and recorded them. But through the whole affair there was really no timetable I imposed on it."