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Sihasin & Lindy Vision
May 4thAnn Napolitano - Sold Out!
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thNew Mexico Heritage Celebration
May 18thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thCarolyn Wonderland
July 23rdLara Manzanares
July 24thCarolyn Wonderland
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thAlejandro Brittes
September 20thThird World
October 3rdCeú
October 8thIndigenous Heritage Celebration featuring Innastate
October 19thTopHouse
November 21stKim Richey
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This show has been moved from Gig Performance Space to San Miguel Chapel. All original tickets will be honored.
Tickets are $25 in advance, $27 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Kim Richey is a traveler. Musically, physically, emotionally. Not merely restless or rootless, it's who she is. Willing to follow where the music leads, she's landed in Los Angeles, Nashville, London, working with a who's who of producers—Richard Bennett, Hugh Padgham, Bill Bottrell, Angelo, Giles Martin. She's attracted a coterie of top-shelf genre-definers—Jason Isbell, Trisha Yearwood, Chuck Prophet, My Morning Jacket's Carl Broemel, Wilco's Pat Sansone—for her critically-lauded projects. She has also sung on records for Ryan Adams, Shawn Colvin, Isbell, and Rodney Crowell.
Part of what draws them to the dusky honey of her crystalline alto is the way she writes: to and from the soul, never flinching from the conflicts and crushing moments, yet always finding dignity and resilience. Her arc of the human heart is true. True enough that over the years, Richey's been both Grammy nominated. Nominated for Yearwood's truculently groove-country "Baby, I Lied," she also co-wrote Radney Foster's #1 "Nobody Wins."
"Harlan Howard said—and maybe I've taken it too much to heart, 'It's always more believable if you sing it in the first person.' And when I sit down to write, if it's something I'm going to sing, I want it to be what I want it to be. I don't really settle, which may make me a little hard to write with. But I have to be able to stand up and sing it night after night, and I can't if I don't really believe it."
After a nearly five year hiatus, Richey returned in 2018 with her eighth studio album, Edgeland. The term "Edgeland" is defined as the lost zone between urban and rural environments, a concept which mimics Richey’s constant fluctuation between the rigid genre definitions of country and Americana music. Richey naturally settles between the two, ignoring convention and instead allowing her own intuitive musical progression to shape her sound.