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Flor de Toloache
April 1stMargo Cilker
April 2ndFlor de Toloache
April 2ndFlor de Toloache
April 3rdTinsley Ellis
April 9thA Word with Writers: Hampton Sides
April 10thTom Paxton with C. Daniel Boling
April 11thThe Wailers
April 12thTom Paxton with C. Daniel Boling
April 12thTom Paxton with C. Daniel Boling
April 13thCocoRosie
April 14thCocoRosie
April 15thSalman Rushdie
April 16thDamn Tall Buildings
April 17thDamn Tall Buildings
April 18thSanta Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thKiran Ahluwalia
May 12thMariee Siou
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana
May 16thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thLara Manzanares
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thThird World
October 3rdCeú
October 8thRising Appalachia
Arouna Diarra
at
National Hispanic Cultural Center - Journal Theatre
1701 4th St SW
Albuquerque NM 87102
Other Events at National Hispanic Cultural Center - Journal Theatre
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PROOF OF VACCINATION OR NEGATIVE TEST REQUIRED FOR ENTRANCE
To assure the health of our patrons, artists and staff, as well as the continued health of the concert industry, all AMP Concerts require either a proof of vaccination completed at least 14 days prior to the event or a negative COVID test administered by a health care professional within 72 hours of the event. Originals or photos of documents with a matching ID will be accepted. Masks are also required at all indoor venues (as per the current State health orders).
Thanks for your cooperation and understanding.
Tickets cost $27, $32 and $37 (plus applicable service charges). Tickets are available from the NHCC Box Office (in person and by phone - (505) 724-4771).
A pre-show vocal workshop with Leah & Chloe is available as a $50 add-on.
It'd been 10 months since the band members of sister-led, world-folk music outfit Rising Appalachia had seen each other, much less played music together. A grand reunion took place for a one-off live stream show in 2020 at Echo Mountain Studios in Asheville, NC, but positivity and creativity took root, and the very next day the band remained in the studio with no plan except to "press record and see what happens." What poured out of the six members of Rising Appalachia was nothing short of divine musical guidance—a full-length album dubbed The Lost Mystique of Being in the Know. This new collection of nine songs is abstract; a concept album of sorts of which the band calls "the most dynamic fun we have ever had in the studio." Rising Appalachia—Leah Song, Chloe Smith, Biko Casini, Arouna Diara, Duncan Wickel, and David Brown—removed themselves from the outcome, let the songs lead, and were rewarded with a gorgeous snapshot of not just the music, but the time and circumstance that forged it.
The Lost Mystique of Being in the Know really was an impromptu, organic, and healing process for all involved. "All the strangeness of the year, all the high tides and low tides, came out through the music," says Smith of the recording process. "We did not have a plan or a knowing of what we wanted to achieve. We simply wanted to get outside our own box and see what would happen if, during one of the most unpredictable years of our lives, we came together and let the music speak for itself and carve its own path into the rock."
Arouna Diarra, originally from Burkina Faso, West Africa, is an accomplished n'goni & balafon player. Performing a tradition of folk songs reflecting topics from war to building love for one another, Arouna sings with spirit, nostalgia, and great joy, in his native language, Bambara. Arouna brings a dynamic repertoire to the table, full of timing changes and improvisational prowess. He plays the kamale n'goni, a 14-string harp-like instrument (which he makes himself), with a melodic and percussive sensibility.