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Lara Manzanares Album Release - SOLD OUT!
November 20thLuca Stricagnoli - SOLD OUT!
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thThe Klezmatics: Happy Joyous Hanukkah
December 11thRattlesnake Milk
January 13thYagody
January 16thYagody
January 17thLeftover Salmon
January 18thVienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thLevi Platero
February 19thVanessa Collier
March 13thAlash
March 13thAlash
March 14thVanessa Collier
March 14thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thArkansauce
March 26thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thJane Siberry
Sponsored by Jeff Hanson & Ron Sisneros
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Show moved from December. All tickets from the original show honored on the new date.
Sponsored by Jeff Hanson & Ron Sisneros. Thanks for the support!
Tickets cost $39 in advance, $44 day of show (including service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Visionary, uncompromising, and ever-evolving, Jane Siberry is one of Canada's most original and influential singer-songwriters. Best known for transcendent works like "Calling All Angels," "Love Is Everything," and the iconic "Mimi On The Beach," she has created a singular body of work that defies categorization. Her haunting contribution to "The Crow" soundtrack, "It Can't Rain All The Time," continues to resonate more than ever three decades later.
Despite a prolific career, Siberry reflects: "I feel like I'm inching my way toward my prime."
Siberry has long been at the vanguard of artists reshaping the relationship between creativity and commerce. After parting ways with Warner/Reprise Records in 1996, she founded her own label, Sheeba, and pioneered a "pay-what-you-can" model for music downloads-inviting audiences into a trust based creative economy. When asked what this model trusts in, she simply says, "All that is Good."
Similarly, in a desire to break free from the confines of traditional touring, Siberry expanded her performances to include intimate "salon" tours in living rooms around the world-from llama farms in New Zealand to garages in Australia, kominkas in Japan, kitchens in Finland, and bell towers in rural England-creating connection and community. Her performances are described by audiences as intense, heraldic, funny, and trustworthy (meaning "audiences might feel freer to shed a tear"). She feels extremely privileged to be a musician.
After a decade-long recording pause, Siberry returns with a highly anticipated gathering of songs. They are interwoven with musical and spoken segues that she calls "the matrix," the album plays like a musical "Netflix series," exploring themes of flickering consciousness, compassion, and rigorous sclf reckoning. Siberry calls them "the moments in between."

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