AMP Concerts offers innovative and inspiring arts programming throughout New Mexico. A portion of all AMP ticket sales goes to fund free community concerts, workshops, school programs & artist residencies.
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City of Albuquerque NM Arts New Mexico Music Commission Creative West     KUNM Marriott Albuquerque Bookworks Concept Hotels Santa Fe County

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Albert Castiglia

August 17th

Albert Castiglia

August 18th

Third World

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Ron Crowder

August 28th

West Texas Exiles

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The Wailers

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Yungchen Lhamo

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Coco Montoya

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Coco Montoya

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October 16th

KUNM Turns 60!

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Chris Duarte

October 23rd

Chris Duarte

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Joanne Shaw Taylor

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Steve Poltz

December 3rd

Arkansauce

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Keller Williams

January 14th

Kalos

January 27th

Kalos

January 28th

Crystal Methyd

March 22nd

Tannahill Weavers

April 21st

Tannahill Weavers

April 22nd

Jane Siberry

Sponsored by Jeff Hanson & Ron Sisneros

at Chatter
912 3rd St NW
Albuquerque NM 87102
Other Events at Chatter

Time: 7:30pm     Day: Saturday     Doors: 7:00pm     Ages: All Ages     Price: $35
This Event Has Ended

Show moved from December.  All tickets from the original show honored on the new date.

Sponsored by Jeff Hanson & Ron Sisneros.  Thanks for the support!

Tickets cost $39 in advance, $44 day of show (including service charges). They are also available by phone through Hold My Ticket at 505-886-1251.

Visionary, uncompromising, and ever-evolving, Jane Siberry is one of Canada's most original and influential singer-songwriters. Best known for transcendent works like "Calling All Angels," "Love Is Everything," and the iconic "Mimi On The Beach," she has created a singular body of work that defies categorization. Her haunting contribution to "The Crow" soundtrack, "It Can't Rain All The Time," continues to resonate more than ever three decades later.

Despite a prolific career, Siberry reflects: "I feel like I'm inching my way toward my prime."

Siberry has long been at the vanguard of artists reshaping the relationship between creativity and commerce. After parting ways with Warner/Reprise Records in 1996, she founded her own label, Sheeba, and pioneered a "pay-what-you-can" model for music downloads-inviting audiences into a trust­ based creative economy. When asked what this model trusts in, she simply says, "All that is Good." 

Similarly, in a desire to break free from the confines of traditional touring, Siberry expanded her performances to include intimate "salon" tours in living rooms around the world-from llama farms in New Zealand to garages in Australia, kominkas in Japan, kitchens in Finland, and bell towers in rural England-creating connection and community. Her performances are described by audiences as intense, heraldic, funny, and trustworthy (meaning "audiences might feel freer to shed a tear"). She feels extremely privileged to be a musician. 

After a decade-long recording pause, Siberry returns with a highly anticipated gathering of songs. They are interwoven with musical and spoken segues that she calls "the matrix," the album plays like a musical "Netflix series," exploring themes of flickering consciousness, compassion, and rigorous sclf­ reckoning. Siberry calls them "the moments in between."


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