AMP Concerts offers innovative and inspiring arts programming throughout New Mexico. A portion of all AMP ticket sales goes to fund free community concerts, workshops, school programs & artist residencies.
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Hayden Pedigo

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Jane Siberry

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Roomful of Teeth

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Roomful of Teeth

April 8th

Derek Gripper - SOLD OUT!

at San Miguel Chapel
401 Old Santa Fe Trail
Santa Fe NM 87501
505-983-3974
Other Events at San Miguel Chapel

Time: 7:30pm     Day: Friday     Doors: 7:00pm     Ages: All Ages     Price: $20
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Tickets cost $20 in advance, $25 day of show (plus a $2 service charge). They are also available by phone through Hold My Ticket at 505-886-1251.

Derek Gripper is a Cape Town based composer, arranger and virtuoso guitarist known for his groundbreaking technique for evoking the West African kora on solo guitar. His work creates an unprecedented meeting point between written and oral traditions, re-writing the language of African and Classical Guitar. 

When Gripper released One Night on Earth, his 2012 album of kora translations, classical guitar legend John Williams said he thought it was "absolutely impossible until I heard Derek Gripper do it," while kora maestro Toumani Diabaté asked for confirmation that it was indeed just one person playing. Both invited Derek to collaborate with them: Derek performed with Williams in London's Shakespeare's Globe and King's Place, and with Diabaté and his Symmetric Orchestra at the Acoustik Festival Bamako, Mali. His 2016 Carnegie Hall debut paired him with Mali's Trio da Kali, and the UK's Songlines honoured him with best album in Africa and the Middle East for his 2016 album Libraries on Fire.

Since these two recordings put kora/guitar on the map, his recent recordings A Year of Swimming (2020), Billy Goes to Durban, (2021) and Sleep Songs for My Daughter (2022) have incorporated elements of his kora explorations in original compositions and improvisations, captured on tape in the field and in studio. 

On-stage Derek is both informative scholar and irreverent comedian, effortlessly shifting between conversation and music, reminding us that the art of the griot, even if only evoked by a non-griot, is the art of storytelling as much as it is the art of music-making. 


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