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AMP Member Appreciation Concert
January 19thBands of Enchantment Season 4 Red Carpet Premiere
January 23rd3 On A Match Kabarett
January 24thAMP Member Appreciation Concert
January 24thJesse Cook
February 2ndJesse Cook
February 3rdThe Wildwoods
February 4thThe Wildwoods
February 5thMusic and Culture in Sardinia
February 16thTinsley Ellis
February 17thAcoustic Eidolon
February 18thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thRonnie Baker Brooks
March 13thRonnie Baker Brooks
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thJohn Splithoff
March 30thYagody
March 31stScott & Johanna Hongell-Darsee
April 5thThe Glass Hours
April 8thThe Glass Hours
April 9thNefesh Mountain
April 11thNefesh Mountain
April 12thArkansauce - NEW DATE!
April 19thZoë Keating (New Date)
May 13thThe Young Dubliners
May 16thThe Bones of JR Jones
Jarrod Dickenson
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Tickets cost $20 in advance, $25 day of show (plus service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Born and raised in central New York, Jonathon Linaberry—better known as The Bones of J.R. Jones— got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax, who documented rural American blues, folk, and gospel musicians throughout the 1930s and '40s. Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist over the course of the ensuing decade, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including "Suits," "Daredevil," "Longmire," and "Graceland"; and toured the US and Europe countless times over as a one-man band, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Along the way, Linaberry also shared bills with the likes of The Wallflowers, G. Love, and The Devil Makes Three, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi, and earned praise from Billboard, American Songwriter, and Under the Radar, among others.
Slow Lightning, his mesmerizing new album, is raw and visceral, pulsating with an understated electrical current that flows just beneath its seemingly placid surface. The songs are restless and unsettled here, often grappling with doubt and desire in the face of nature and fate, and frequent collaborator Kiyoshi Matsuyama's production is eerily hypnotic to match, with haunting synthesizers, vintage drum machines, and ghostly guitars fleshing out Linaberry's already-cinematic brand of roots noir. The result is a moody, ominous work that's equal parts Southern Gothic and transcendentalist meditation, an instinctual slice of piercing self-reflection that hints at everything from Bruce Springsteen and Bon Iver to James Murphy and J.J. Cale as it searches for meaning and purpose in a world without easy answers.
Jarrod Dickenson is a guitarist, singer, songwriter and producer, originally from Waco, Texas, now based in Nashville. Not one to fear an exhausting tour schedule, Dickenson has entranced crowds all over Europe and the US and shared stages with such legendary artists as Bonnie Raitt, Don McLean, The Waterboys, Jools Holland and Jimmie Vaughan. He has performed at prestigious festivals such as Glastonbury and Cambridge Folk Festival. In addition to his origin as a Texan, his current status as a Tennessee resident, and the fact that he dropped enough rent over the years to deserve to call himself a New Yorker, Dickenson is also an adopted son of Belfast. It was in the Northern Irish city where he met wife and bandmate Claire Dickenson whose luscious, versatile vocal has become a central ingredient of his sound on stage and on record. After a baptism of fire in the world of the major labels, Jarrod Dickenson now exists as a fiercely independent artist, a look that suits him well and allows his creativity to follow whatever path it damn well pleases.