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Bands of Enchantment: Griffin William Sherry, Sgt. Splendor and JD Nash & the Rash of Cash
September 17thCoco Montoya - SOLD OUT!
September 19thHispanic Heritage Celebration
September 20thBands of Enchantment FREE Outdoor Music Festival
September 20thCoco Montoya - SOLD OUT!
September 20thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thJ2B2
September 26thJohn Moreland
September 26thLasotras
September 27thThe Banter Experience
September 30thThe Banter Experience
September 30thMasters of Hawaiian Music
October 3rdSlim Cessna + Maria de Cessna
October 4thMasters of Hawaiian Music
October 4thZar Electrik
October 8thFarah Siraj
October 8thShonen Knife
October 11th"Stop Making Sense" Screening
October 12th"Stop Making Sense" Screening
October 13thIsaac Aragon
October 18thHayden Pedigo
October 22ndIndigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat
November 3rdKurbasy
November 8thKurbasy
November 9thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thJane Siberry
December 2ndJane Siberry
December 3rdTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thAlash
March 13thAlash
March 14thLúnasa
March 16thBill Callahan
Jake Xerxes Fussell
Add to Cal
Tickets are $23 in advance, $28 day of show (plus applicable service charges).
The voice murmuring in our ear, with shaggy-dog and other kinds of stories, is an old friend we're so glad to hear again. Bill Callahan's gentle, spacey take on folk and roots music is like no other; scraps of imagery, melody and instrumentation tumble suddenly together in moments of true human encounters.
After Dream River, Bill's life went through some changes. Good changes—marriage and a kid—but afterwards, it was suddenly harder for him to find the place where the songs came, to make him and these new experiences over again into something to sing. His songs have always been elusive, landing lightly between character study and autobiography, as the singer-songwriter often does. This felt different, though. After 20 years of putting music first, he wasn't prepared to go away from it completely. Or was he? The lives of a newlywed, a new parent, they have so much in them—but writing and singing, it was his old friend that had helped him along to this place where he'd so happily arrived. Was there room for everybody? While sorting it all out, he worked on songs every day—which meant that for a while, there were lots of days simply confronting the void, as he measured this new life against the ones he'd previously known.
The sense of a life thunderstruck by change infuses Shepherd In a Sheepskin Vest—the songs wander from expressions of newfound joy and great contentment to other snapshots, considerations of the not-joy that we all know. Unsettling dream-images and mythic recollections are patiently received; the undertow of the past is resisted, pulling against it instead into the present, accepting revolutions of time and the unconscious as a natural flow.