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Vienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thMichela Musolino
February 18thMichela Musolino
February 18thLevi Platero
February 19thDevon Allman Blues Summit
February 23rdVanessa Collier
March 13thAlash
March 13thTinsley Ellis
March 14thVanessa Collier
March 14thAlash
March 14thTinsley Ellis
March 15thGoodnight, Texas
March 15thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe
March 25thArkansauce
March 26thA Word with Writers - Erik Larson
March 27thJane Siberry
March 28thJane Siberry
March 29thTejon Street Corner Thieves
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thBab L'Bluz
April 8thRoomful of Teeth
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thThe Bones of J.R. Jones
April 14thAly & AJ
April 26thEric Johnson
April 30thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thBill Callahan
Jake Xerxes Fussell
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Tickets are $23 in advance, $28 day of show (plus applicable service charges).
The voice murmuring in our ear, with shaggy-dog and other kinds of stories, is an old friend we're so glad to hear again. Bill Callahan's gentle, spacey take on folk and roots music is like no other; scraps of imagery, melody and instrumentation tumble suddenly together in moments of true human encounters.
After Dream River, Bill's life went through some changes. Good changes—marriage and a kid—but afterwards, it was suddenly harder for him to find the place where the songs came, to make him and these new experiences over again into something to sing. His songs have always been elusive, landing lightly between character study and autobiography, as the singer-songwriter often does. This felt different, though. After 20 years of putting music first, he wasn't prepared to go away from it completely. Or was he? The lives of a newlywed, a new parent, they have so much in them—but writing and singing, it was his old friend that had helped him along to this place where he'd so happily arrived. Was there room for everybody? While sorting it all out, he worked on songs every day—which meant that for a while, there were lots of days simply confronting the void, as he measured this new life against the ones he'd previously known.
The sense of a life thunderstruck by change infuses Shepherd In a Sheepskin Vest—the songs wander from expressions of newfound joy and great contentment to other snapshots, considerations of the not-joy that we all know. Unsettling dream-images and mythic recollections are patiently received; the undertow of the past is resisted, pulling against it instead into the present, accepting revolutions of time and the unconscious as a natural flow.

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