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Santa Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thAnn Napolitano
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thLara Manzanares
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thThird World
October 3rdCeú
October 8thTopHouse
November 21stPortland Cello Project
Performing Radiohead's "OK Computer" and more
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Tickets are $30 in advance, $35 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
The Albuquerque show is SOLD OUT! We still have some tickets available for Santa Fe, but those are going fast too. Act now if you want to see this super cool show!
Portland's premiere alt-classical group brings a huge, orchestral ensemble (including brass, percussion, and guest vocals by Patti King of the Portland band The Shins) to perform a night in homage to Radiohead. Expect an evening of unique renditions of classical Radiohead pieces that wander from truly epic to breathtakingly intimate.
OK Computer is a historic album that has proven over the years to yield an infinite variety of artistic inspiration to people of all walks of life. Portland Cello Project first performed the record in its entirety in 2012 for the 15th anniversary of the album's release, and ever since then, pieces of it have remained in the group's repertoire as constantly evolving musical meditations.
All of the cellists in the group are classically trained, and yet, all of them seem to find a unique connection between Radiohead and their musical foundation. The deep layers of sonic ecstasy are reminiscent to all of so much late-19th-century music of the Western Classical Tradition, but beyond that, each of the cellists have worked to bring out subtleties they discover that hint at everything from Bach counterpoint at times, to rhythms they initially learned counting and performing Stravinsky.