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Kalos
January 15thKalos
January 15thKalos
January 16thKalos
January 16thAMP Member Appreciation Concert
January 19thBands of Enchantment Season 4 Red Carpet Premiere
January 23rd3 On A Match Kabarett
January 24thAMP Member Appreciation Concert
January 24thJesse Cook
February 2ndJesse Cook
February 3rdThe Wildwoods
February 4thThe Wildwoods
February 5thTinsley Ellis
February 17thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thRonnie Baker Brooks
March 13thRonnie Baker Brooks
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thYagody
March 30thJohn Splithoff
March 30thScott & Johanna Hongell-Darsee
April 5thArkansauce - NEW DATE!
April 19thZoë Keating (New Date)
May 13thThe Young Dubliners
May 16thDar Williams
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Tickets cost $28 and $33 (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Dar Williams' lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to "admire that yonder star," while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can't.
Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of I'll Meet You Here, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn't feeling well anyway. Turns out he'd contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you... the common thread throughout that these songs, the willingness to meet life as it arrives.
Dar Williams was always in the right place at the right time for the success she's had over a 25+-year career. She rose out of the vibrant mid-90's Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.
"Good and bad things happen, and it's not necessarily a reward or indictment. I've just got to meet it." Williams observes. "Like, I'm bringing my whole life to this moment; it will surprise me, challenge me, show me where I was wrong, even make a fool out of me, but my job is to show up and not take adversity personally. Real happiness doesn't have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life."