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Backyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
March 25thJohn Doe - Second Night! - SOLD OUT!
March 26thArkansauce
March 26thJane Siberry
March 28thTejon Street Corner Thieves
March 29thJane Siberry
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thBab L'Bluz
April 8thRoomful of Teeth
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thLos Radiators
April 22ndLos Radiators
April 23rdMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndJuani De La Isla Quartet
May 9thMike Zito
May 15thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thTab Benoit
May 30thLone Piñon CD Release Celebration
June 3rdLone Piñon CD Release Celebration
June 5thWendy Rule
June 11thEl Gozao & Los 33
June 12thSlim Cessna + Maria de Cessna
June 14thSevero y Grupo Fuego and Lara Manzanares
June 19thAndy Mason
June 20thAndy Mason
June 20thRed Light Cameras and NEH
June 26thVibestrong and Dre Z Melodi
July 10thThe MacHeartbreakers
July 17thScott and Johanna Hongell-Darsee
August 1stSteve Earle
August 8thLiz Melendez and Caroline Aiken
August 22ndAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rdJesse Dayton
Mike Stinson
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Tickets cost $20 in advance, $25 day of show (plus service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Jesse Dayton isn't just an unsung hero of modern-day American music; he's a towering figure in the realm of Outlaw Country, a master storyteller who effortlessly blurs the boundaries between genres and disciplines. With a career spanning multiple decades, Dayton has left an indelible mark as a chart-topping songwriter, guitar virtuoso, author, frontman, sideman, producer, and relentless road warrior. From his early days with the Road Kings, where he fearlessly melded Texas Rockabilly and Country with the raw energy of Punk Rock, Dayton has been a trailblazer. His innovative style not only earned him acclaim but also paved the way for collaborations with legends like Johnny Cash, Waylon Jennings, and Kris Kristofferson. Over the years, Dayton's collaborations have spanned a diverse array of artists, from blues sensation Samantha Fish—his partner on the Grammy-nominated Death Wish Blues—to icons of country like Willie Nelson and Glenn Campbell, rock rebels such as Guns 'N Roses' Duff McKagan and Glenn Danzig, and even visionary horror filmmakers like Rob Zombie. Yet amidst this vast spectrum of work, Dayton's solo albums stand as a testament to his refusal to be confined by genre, earning him recognition as a roots-rock renaissance man.
Collaborating with Shooter Jennings, renowned for his Grammy-winning work with artists Brandi Carlisle and Tanya Tucker, Jesse Dayton once again evolves with The Hard Way Blues. Building on his signature outlaw sound, Dayton explains, "I wanted to make something that reflected where I'm at right now; so, we turned a musical corner and embraced a big sound with a lot of ripping, bluesy guitar leads. Sometimes, it sounds like Freddie King. Sometimes, it sounds like Jimmy Page. This record was completely liberating for me because it goes back to so many of my longtime influences. I don't care about genres, trends, or buzz words — I just care about being truthful to my own vision, and that's what The Hard Way Blues allowed me to do." Crafted in the heart of Hollywood, The Hard Way Blues stands as a testament to Dayton's esteemed career, meticulously blending his rowdy spirit with timeless influences and showcasing his versatility and artistry in an irresistibly melodic collection of American music.
Mike Stinson's songs are the thrills, chills and spills of life, filled with razor sharp word play, charm, depth, poignance and musical muscle.
"Mike Stinson is dangerous, the kind of songwriter who can upend the way you see the world with a single line, and whose lean, mean rock and roll machine of a band usually starts at a Chuck Berry gallop and goes from there. They can crank it so hard, in fact, it's entirely possible to miss all the diamond-tipped rejoinders, double entendres, aphorisms and the occasional outright burn that litter Stinson's songs, and make him one of the wickedest lyricists around today." —Houston Press

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