AMP Concerts offers innovative and inspiring arts programming throughout New Mexico. A portion of all AMP ticket sales goes to fund free community concerts, workshops, school programs & artist residencies.
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My Morning Jacket

August 19th

The New Respects

August 21st

HOTH Brothers Band

August 22nd

Lumbre Del Sol

August 23rd

Jimmie Vaughan

August 23rd

Jimmie Vaughan

August 25th

Eli Paperboy Reid

August 26th

Dune

August 27th

The Santa Fe Revue

August 30th

Fucked Up

September 2nd

Little Big Town

September 3rd

Béla Fleck

September 13th

Wilco

September 15th

Gabriel Kahane

September 16th

Daniel Rossen

September 17th

Albert Cummings

September 20th

Bob Mould - Solo Electric

September 20th

Albert Cummings

September 21st

Rodrigo y Gabriela

September 24th

Tropa Magica

September 25th

Cimafunk

September 29th

Wallows - SOLD OUT!

October 3rd

Madison Cunningham

October 4th

Suzanne Vega

October 4th

Noah Cyrus

October 5th

Whitney

October 5th

James McMurtry

October 6th

Imarhan

October 7th

Bonobo

October 10th

Dylan LeBlanc

October 12th

DEHD

October 12th

GAYLE

October 13th

illuminati hotties

October 15th

Shovels & Rope

October 18th

Flor De Toloache

October 25th

OFF!

October 26th

MAX

November 2nd

Lucius

November 2nd

Os Mutantes

November 3rd

Mac DeMarco - CANCELED

November 4th

Belinda Carlisle

November 8th

AWOLNATION

November 8th

Bébé La La

November 13th

Juan Carmona

November 16th

Martin Sexton

November 17th

Juan Carmona

November 18th

Hermanos Gutiérrez

November 20th

Pink Martini

January 16th

Pink Martini

January 18th

Eric Johnson

March 4th

John Moreland (New Date!)

S.G. Goodman

Time: 7:30pm     Day: Thursday     Doors: 6:30pm     Ages: 21+ without parent or guardian    
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Tickets cost $20 in advance, $25 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.

All tickets to the previous show will be honored for this performance. Contact AMP if you need a refund for the previous show or have questions about your tickets.

Tumbleroot is a mostly-standing-room venue. Limited seating available.

Over the last half a dozen years or so, John Moreland's honesty has stunned us—and stung. As he put hurts we didn't even realize we had or shared into his songs, we sang along. And we felt better. But there has always been far more to Moreland than sad songs. Today, his earthbound poetry remains potent, but in addition to his world-weary candor, Moreland's music smolders with gentle wisdom, flashes of wit and joy, and compassion. And once again, as we listen, we feel better.

"I can't dress myself up and be some folk singer character that I'm not really," Moreland says. "I figured, I can't dress up these songs and try to sell them that way. All I can do is be me."

His latest album LP5 proves John Moreland has gotten really good at being John Moreland—thank God. A masterful display of songwriting by one of today's best young practitioners of the art form, LP5 is Moreland's finest record to date. The album's experimentations with instrumentation and sounds capture an artist whose confidence has grown, all without abandoning the hardy roots rock bed and the lyrics-first approach Moreland's work demands. "I feel like just this year, in the past few months, I've reached a point where I feel like I know what I'm doing here now," he says. "And I feel comfortable with it."

First, there is S.G. Goodman's voice: raw and completely unique. Equal parts grit and balm, it is all emotion. S.G. can fly high with plaintive tones or prowl the low valleys of longing, sometimes within the course of one line. And she possesses the power to stop you in your tracks like a bite from the cottonmouth snakes swimming in the slough water of her Western Kentucky homeland.

Her otherworldly vocals take center stage on her debut Old Time Feeling, which explores the way most people see the South without fully understanding its complexities. As a gay woman who grew up on the banks of the Mississippi River in one of the most isolated parts of Kentucky, S.G. has the unique perspective of the insider who is also the outsider. She says that while writing the album she thought "a lot about the complexity of wanting to carve out a space for yourself in a place that you were born to but doesn't necessarily reflect all your feelings about the place." 


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