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"Stop Making Sense" Screening - Canceled
October 13thIsaac Aragon
October 18thHayden Pedigo
October 22ndIndigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat - SOLD OUT!
November 3rdKurbasy
November 8thKurbasy
November 9thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thRattlesnake Milk
January 13thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thLevi Platero
February 19thAlash
March 13thAlash
March 14thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thSarah Jarosz
with Ric Robertson
at
The Lensic
Add to Cal
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The Lensic is currently requiring masks to be worn at all times. Click here for info on COVID Requirements at the Lensic.
Tickets cost $34, $42 and $49 (plus applicable service charges). They are also available from the Lensic Box Office (505-988-1234).
With her captivating voice and richly detailed songwriting, Sarah Jarosz has emerged as one of the most compelling musicians of her generation. A four-time Grammy Award-winner at the age of 30, the Texas native started singing as a young girl and became an accomplished multi-instrumentalist by her early teens. After releasing her full-length debut Song Up in Her Head at 18-years-old, she went on to deliver such critically lauded albums as Follow Me Down, Build Me Up From Bones, and 2016's Undercurrent, in addition to joining forces with Sara Watkins and Aoife O'Donovan to form the acclaimed Grammy winning folk trio I'm With Her.
In the making of her new album World On the Ground, the New York City-based artist collaborated with producer/songwriter John Leventhal, a five-time Grammy Award winner known for his work with Elvis Costello, Shawn Colvin, and his wife Rosanne Cash. Working almost entirely on their own, the two musicians crafted a subtle tapestry of sound perfectly suited to Jarosz’s lyrical storytelling. In a departure from the nuanced introspection of her previous work, World On the Ground unfolds as a finely wrought collection of stories from her hometown of Wimberley, Texas (population: 2,626), presenting a series of character sketches nearly novelistic in emotional scope. As she inhabits characters both real and imagined—exploring the tension and inertia of small-town living, the desire for escape and the ease of staying put—Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.
Hearing Ric Robertson for the first time, you'll be forgiven if John Prine is the first name that comes to mind. Robertson's voice has the same soft Southern burr as Prine's, the same Zen acceptance of humanity's failings, and, most importantly, the same sense of playfulness in the music. There's a bit of Willie Nelson in there too, not just from all the smoke in the air, but from the colliding elements of jazz, funk, and country. Robertson's an American original, pulling influences from the greats that came before, but wholly responsible for creating his own creative universe. When he's not writing songs or playing music, his polymath personality fills time learning claymation, filmmaking, building puppets, learning pedal steel... He's relentlessly creative, the musician's musician, as testified by the fact that he's continuously in-demand as a touring bandmate, playing with everyone from Rhiannon Giddens to The Wood Brothers. His new album, Carolina Child, is Robertson's break-out moment, a fully-fledged multiverse of madcap ideas and creative anarchy.