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Soriba Fofana & Kamus Sacko
January 12thSoriba Fofana & Kamus Sacko
January 12thRattlesnake Milk
January 13thYagody
January 16thYagody
January 17thLeftover Salmon
January 18thVienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thMichela Musolino
February 18thMichela Musolino
February 18thLevi Platero
February 19thDevon Allman Blues Summit
February 23rdVanessa Collier
March 13thAlash
March 13thTinsley Ellis
March 14thVanessa Collier
March 14thAlash
March 14thTinsley Ellis
March 15thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thArkansauce
March 26thA Word with Writers - Erik Larson
March 27thJane Siberry
March 28thJane Siberry
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thRoomful of Teeth
April 8thBab L'Bluz
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thAly & AJ
April 26thEric Johnson
April 30thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thThe Dead Tongues
Free Show!
Register for the event and we'll also send you updates if there are any schedule changes, as well as info on future free programs and events around Santa Fe and Albuquerque.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Dust is the fifth album from The Dead Tongues, the project of Western North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Gustafson recorded Dust in nine days, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything. The record was recorded at Sylvan Esso's studio, Betty's, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends—Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others.
Dust is meant to be listened to while taking a night drive, far-flung and roving and existential. Somewhere between the expansiveness of American jam band and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected."

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