AMP Concerts offers innovative and inspiring arts programming throughout New Mexico. A portion of all AMP ticket sales goes to fund free community concerts, workshops, school programs & artist residencies.
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City of Albuquerque NM Arts New Mexico Music Commission Creative West NEA Tourism Grant Recipient iHeart Media Santa Fe Brewing Company KUNM Marriott Albuquerque

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Khumariyaan

July 8th

Khumariyaan

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Telmary

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Ally Venable

July 15th

Flor de Toloache

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Flor de Toloache

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Oscar Butler

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Innastate

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Green Tara Puja

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Arkansauce

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Mark Hummel

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7Horse

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Luke Bulla

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Raul Midón

August 13th

Raul Midón

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Thievery Corporation

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Tab Benoit

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Tab Benoit

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Coco Montoya

September 19th

Coco Montoya

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John Moreland

September 26th

J2B2

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Lasotras

September 27th

Shonen Knife

October 11th

Hayden Pedigo

October 22nd

Kurbasy

November 8th

Kurbasy

November 9th

Luca Stricagnoli

November 21st

Ryanhood

November 29th

Ryanhood

November 30th

The Dead Tongues

Free Show!

October 16, 2022 7:30 pm - 11:30 pm
Add to Cal
Time: 7:30pm     Day: Sunday     Doors: 6:30pm     Ages: 21+ without parent or guardian    
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Register for the event and we'll also send you updates if there are any schedule changes, as well as info on future free programs and events around Santa Fe and Albuquerque.

Tumbleroot is a mostly-standing-room venue. Limited seating available.

Dust is the fifth album from The Dead Tongues, the project of Western North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Gustafson recorded Dust in nine days, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything. The record was recorded at Sylvan Esso's studio, Betty's, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends—Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others.

Dust is meant to be listened to while taking a night drive, far-flung and roving and existential. Somewhere between the expansiveness of American jam band and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected."


AMP Concerts