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Kardemimmit
June 10thKardemimmit
June 12thRobert Plant & Alison Krauss - SOLD OUT!
June 17thEliza Gilkyson
June 24thInternational Folk Art Market
July 7thInternational Folk Art Market
July 8thDelgres
July 9thHeartless Bastards
August 5thAlly Venable
August 15thAlly Venable
August 16thThe Wailers
August 20thNeighborhood Open Space Community Concert
August 26thTab Benoit
September 3rdBlack Uhuru
September 8thSylvan Esso - No Rules (Tour)
September 9thBlack Uhuru
September 10thTangerine Dream
September 16thBonnie Raitt - SOLD OUT!
September 17thDevon Allman and Donavon Frankenreiter
September 18thNature Festival & Block Party
September 23rdDavid Wilcox
September 27thDavid Wilcox
September 28thJosh Ritter & The Royal City Band
October 2ndNature Festival & Block Party
October 14thBonnie "Prince" Billy
October 20thOmara Portuondo
October 22ndMatt Andersen
November 16thRyan Adams
November 22ndAlasdair Fraser & Natalie Haas
March 15thThe Dead Tongues
Free Show!
Register for the event and we'll also send you updates if there are any schedule changes, as well as info on future free programs and events around Santa Fe and Albuquerque.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Dust is the fifth album from The Dead Tongues, the project of Western North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Gustafson recorded Dust in nine days, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything. The record was recorded at Sylvan Esso's studio, Betty's, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends—Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others.
Dust is meant to be listened to while taking a night drive, far-flung and roving and existential. Somewhere between the expansiveness of American jam band and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected."