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Tíos Míos
May 19thGhalia Volt
May 27thTab Benoit
May 28thTab Benoit
May 30thLone Piñon CD Release Celebration
June 3rdLone Piñon CD Release Celebration
June 5thWendy Rule
June 11thEl Gozao & Los 33
June 12thSlim Cessna + Maria de Cessna
June 14thA Word with Writers - Andrew Sean Greer
June 16thBuckethead
June 17thSevero y Grupo Fuego and Lara Manzanares
June 19thAndy Mason
June 20thAndy Mason
June 20thRed Light Cameras and NEH
June 26thBoth Sides Now
June 28thVibestrong and Dre Z Melodi
July 10thMenla Choga Puja
July 14thWonder Women of Country
July 16thMac Heartbreakers
July 17thRufus Wainwright
July 17thMary Gauthier
July 18thMary Gauthier
July 19thMenla Choga Puja
July 22ndScott and Johanna Hongell-Darsee
August 1stSteve Earle - SOLD OUT!
August 8thBlack Joe Lewis & The Honeybears
August 13thLiz Melendez and Caroline Aiken
August 22ndRon Crowder
August 28thYungchen Lhamo
September 11thThe Wailers
September 11thYungchen Lhamo
September 12thDía de los Muertos
October 3rdCoco Montoya
October 8thCoco Montoya
October 9thCoco Montoya
October 10thChris Duarte
October 23rdChris Duarte
October 24thJoanne Shaw Taylor
October 28thArkansauce
December 4thAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rdCedric Burnside
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PROOF OF VACCINATION OR NEGATIVE TEST REQUIRED FOR ENTRANCE
To assure the health of our patrons, artists and staff, as well as the continued health of the concert industry, all AMP Concerts require either a proof of vaccination completed at least 14 days prior to the event or a negative COVID test administered by a health care professional within 72 hours of the event. Originals or photos of documents with a matching ID will be accepted. Masks are also required at all indoor venues (as per the current State health orders).
Thanks for your cooperation and understanding.
Tickets cost $22 and $27 (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
The blues is music for all time—past, present, and future—and few artists simultaneously exemplify those multiple temporal moments of the genre like North Mississippi's Cedric Burnside. The Mississippi Hill Country blues guitarist and singer/songwriter contains within him the legacy and future of the region's prescient sound stories. At once African and American and southern and Mississippian, these stories tell about love, hurt, connection, and redemption in the South. His newest contribution to this tradition is I Be Trying, a 13-track album treatise on life's challenges, pleasures, and beauty. "Life can go any kind of way," Burnside says. With almost 30 years of performing and living blues in him, he would know.
Burnside's blues inheritance, the North Mississippi Hill Country blues, is distinct from its Delta or Texas counterparts in its commitment to polyrhythmic percussion and its refusal of familiar blues chord progressions. Often, and especially in Burnside's care, it leads with extended riffs that become sentences or pleas or exclamations, rendering the guitar like its West African antecedent, the talking drum. Riffs disappear behind and become one with the singer's voice, like the convergence of hill and horizon in the distance. Sometimes they become the only voice, saying what the singer cannot conjure the words for. Across some nine individual and collaborative album projects, Burnside's voice eases seamlessly into, through, and behind the riffs spirit gifts him, carrying listeners to a deep Mississippi well. There is mirror there in the water of that well, in Burnside's music, that shows us who and what we have been, who we are, and what we might be if we look and heed.

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