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March 12thRonnie Baker Brooks
March 13thNani Vazana
March 14thRonnie Baker Brooks
March 14thNani Vazana
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thJohn Splithoff
March 30thYagody
March 31stScott & Johanna Hongell-Darsee
April 5thThe Glass Hours
April 8thThe Glass Hours
April 9thNefesh Mountain
April 11thMatt Andersen
April 11thMatt Andersen
April 12thNefesh Mountain
April 12thRight in the Eye
April 18thArkansauce - NEW DATE!
April 19thSelwyn Birchwood
May 7thMax Gomez & Shannon McNally
May 9thThe Martin Sexton Abbey Road Show
May 10thThe Martin Sexton Abbey Road Show
May 11thProyecto Cumbion with 123 Andres
May 11thZoë Keating (New Date)
May 13thJoe Abercrombie
May 15thCris Williamson
May 15thSkaldik
May 16thThe Young Dubliners
May 16thCris Williamson
May 16thLuciane Dom
June 3rdMargo Cilker
June 4thLuciane Dom
June 6thJesse Dayton
June 13thJesse Dayton - New Date!
June 15thHillary Smith and Chillhouse
June 20thEsther Rose
June 27thEliza Gilkyson
June 27thEliza Gilkyson
June 28thAndrea Magee's She Rises
July 18thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thLuca Stricagnoli
November 21stCedric Burnside
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PROOF OF VACCINATION OR NEGATIVE TEST REQUIRED FOR ENTRANCE
To assure the health of our patrons, artists and staff, as well as the continued health of the concert industry, all AMP Concerts require either a proof of vaccination completed at least 14 days prior to the event or a negative COVID test administered by a health care professional within 72 hours of the event. Originals or photos of documents with a matching ID will be accepted. Masks are also required at all indoor venues (as per the current State health orders).
Thanks for your cooperation and understanding.
Tickets cost $22 and $27 (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
The blues is music for all time—past, present, and future—and few artists simultaneously exemplify those multiple temporal moments of the genre like North Mississippi's Cedric Burnside. The Mississippi Hill Country blues guitarist and singer/songwriter contains within him the legacy and future of the region's prescient sound stories. At once African and American and southern and Mississippian, these stories tell about love, hurt, connection, and redemption in the South. His newest contribution to this tradition is I Be Trying, a 13-track album treatise on life's challenges, pleasures, and beauty. "Life can go any kind of way," Burnside says. With almost 30 years of performing and living blues in him, he would know.
Burnside's blues inheritance, the North Mississippi Hill Country blues, is distinct from its Delta or Texas counterparts in its commitment to polyrhythmic percussion and its refusal of familiar blues chord progressions. Often, and especially in Burnside's care, it leads with extended riffs that become sentences or pleas or exclamations, rendering the guitar like its West African antecedent, the talking drum. Riffs disappear behind and become one with the singer's voice, like the convergence of hill and horizon in the distance. Sometimes they become the only voice, saying what the singer cannot conjure the words for. Across some nine individual and collaborative album projects, Burnside's voice eases seamlessly into, through, and behind the riffs spirit gifts him, carrying listeners to a deep Mississippi well. There is mirror there in the water of that well, in Burnside's music, that shows us who and what we have been, who we are, and what we might be if we look and heed.