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Prism Bitch
May 2ndSelwyn Birchwood
May 7thMax Gomez & Shannon McNally
May 9thThe Martin Sexton Abbey Road Show
May 10thThe Martin Sexton Abbey Road Show
May 11thProyecto Cumbion with 123 Andres
May 11thZoë Keating (New Date)
May 13thJoe Abercrombie
May 15thCris Williamson
May 15thSkaldik
May 16thThe Young Dubliners
May 16thCris Williamson
May 16thCELLOquacious
May 21stJackie Zamora Brazilian Jazz Quintet
May 23rdABBAquerque | The Mango Cakes
May 30thLuciane Dom
June 3rdMargo Cilker
June 4thLuciane Dom
June 6thCaribbean Celebration
June 7thMike Zito
June 10thMike Zito
June 11thJesse Dayton
June 13thJesse Dayton - New Date!
June 15thEsther Rose
June 27thEliza Gilkyson
June 27thDracup & Malé
June 28thEliza Gilkyson
June 28thEsther Rose
June 28thRachel Kushner
July 7thKhumariyaan
July 8thKhumariyaan
July 9thFlor de Toloache
July 16thFlor de Toloache
July 17thAndrea Magee's She Rises
July 18thOscar Butler
July 23rdInnastate
July 26thArkansauce
August 1stMark Hummel
August 2ndMark Hummel
August 3rdTab Benoit
September 9thDevon Allman's Blues Summit
September 9thTab Benoit
September 10thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thJ2B2
September 26thShonen Knife
October 11thKurbasy
November 8thKurbasy
November 9thLuca Stricagnoli
November 21st
This event will be streamed from the AMP Concerts Facebook Page and YouTube channel.
Sign up for reminders at either location.
While all our concerts are on hold, AMP Concerts is reaching out to local artists to give them work and give you entertainment in these difficult times. AMP maintains a fund to pay for community projects, which have primarily been school programs and artist residencies. In this time of crisis, we are using those funds to hire local artists and tech crews to create streaming events—and to act as a catalyst for the community to support art as well. This concert is a rescheduled library show, so it is funded in part by the Friends for the Public Library.
Everyone performing and working on the show is being paid.
These programs may be cancelled if current New Mexico health guidelines become more restrictive.
Donations help us keep these projects going, particularly while we have no regular income! (And are greatly appreciated!)
Blame it on Bo Diddley. He crossed paths with a 9-year-old girl in a small New Mexican town and lit fire to her barely-a-'tween soul. His daughters had a keyboard/drum duo to which Kristy Hinds was trio-ed, and she became famous for never missing a Bo Diddley beat. The rock legend stuck up an unlikely friendship with Kristy's horse-trader grandmother when he and his entourage moved onto a ranch behind her property. Kristy became horseback riding buddies with Bo's two daughters, and eventually was drafted into family band, The Diddley Darlings, as "lead tambourine-ist." Her eyes were opened wide as she came into contact with the species known as "road musician" Bo had living on the ranch with him. She loved spending time at the McDaniels (Ellas McDaniel being Bo's given name), with their extended family and big collection of animals—a peek into a lifestyle she had never imagined. There was always an adventure to be had: performing at the local prison, slaughtering a sheep, making a television debut, meeting visitors like Keith Richards or Chuck Berry, or just driving the family hearse like bats out of hell on the backroads of Peralta, New Mexico, and maybe starting the occasional gasoline fire in the sand pile with Bo's daughter Tammy.
Those early performances were the start of a musical odyssey that would carry her across 3 continents and multiple cities, slaying dragons as she went and undertaking the kind of heroic deeds Steely Dan might sing about if they were female. She followed her thumb across Europe, caching stories and writing tunes, and returned stateside to attend Dick Grove School of Music in Los Angeles. There, the people, the players, the weather were all glossy—but still seeking, she roamed north. She called the Pacific Northwest home for a stretch, falling in with some South American transplants who thrived on the upbeats of inspired cadences, and the Latin/Brazilian/salsa venture Via Brasil was born in partnership with late Chilean percussionist Luis Opazo. Via Brasil released a self-titled EP and several successful festival seasons and studio projects later, the tales, rhythms and melodies of her travels would come together in her first solo project, Into the Fray.
Kristy once again calls New Mexico home and has released Strange Religion, an EP of mutinous pop, jazz-inflected and built on top of Latin, reggae and funk rhythms. Listen and ride along vicariously as a lone woman serves sonic justice through reggae, bolero, and swing territory guided by her trusty flair for sardonicism.
This is the latest in a monthly series of free events in collaboration with the Friends for the Public Library.