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March 16thBackyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
March 25thJohn Doe - Second Night!
March 26thArkansauce
March 26thJane Siberry
March 28thTejon Street Corner Thieves
March 29thJane Siberry
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thBab L'Bluz
April 8thRoomful of Teeth
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thLos Radiators
April 22ndLos Radiators
April 23rdMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndJuani De La Isla Quartet
May 9thMike Zito
May 15thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thTab Benoit
May 30thLone Piñon CD Release Celebration
June 3rdLone Piñon CD Release Celebration
June 5thWendy Rule
June 11thEl Gozao & Los 33
June 12thSlim Cessna + Maria de Cessna
June 14thSevero y Grupo Fuego and Lara Manzanares
June 19thAndy Mason
June 20thAndy Mason
June 20thRed Light Cameras and NEH
June 26thVibestrong and Dre Z Melodi
July 10thThe MacHeartbreakers
July 17thScott and Johanna Hongell-Darsee
August 1stSteve Earle
August 8thLiz Melendez and Caroline Aiken
August 22ndAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rdSeratones
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Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs in the Hear This! Emerging Artist Free Concert Series and other events around Santa Fe and Albuquerque.
"We went through a pretty dramatic shift with this record," says Seratones frontwoman AJ Haynes. "The band lineup, the creative process, the sound: all of it changed in ways that really reflected our growth and evolution."
One listen to Power, Seratones' spectacular sophomore album, and it's clear just how much of an evolution has taken place. Produced by Cage The Elephant guitarist Brad Shultz, the record finds the Shreveport five-piece trading in the brash proto-punk of their critically acclaimed debut for a timeless brand of gritty soul, one that takes its cues from vintage Motown and Stax even as it flirts with modern synthesizers and experimental arrangements. Haynes' captivating voice remains front and center here, but her delivery this time around is more measured and self-assured than ever before, a beacon of confidence and clarity amidst a sea of social and political turmoil. Perhaps even more marked than the any sonic development on the record, though, is Haynes' lyrical turn, which points her gaze inwards for the first time as she grapples with race, gender, and justice, writing with an unfiltered honesty that at once exudes strength and vulnerability, hope and despair, beauty and pain.
"I learned to tap more into my own stories with these songs," says Haynes. "I came to recognize that I have this lineage and these inherited experiences that are beautiful and worthy of exploration. The more personal my writing got, the more deeply I was able to connect with people."
Seratones have been chasing those kinds of deep connections since 2016, when they first rocketed into the national spotlight with their breakout debut, Get Gone. Rolling Stone called the album a "fitful collision of punk, soul and jazz echoing out of a shed strewn with whiskey bottles," while Pitchfork praised the collection's "soulful grease and punky grit," and NPR hailed it as "lean and compact, with an impressive assortment of anthemic stompers." The music earned the band dates on the road with artists as varied as St. Paul & The Broken Bones, Thao & The Get Down Stay Down, The Dandy Warhols, and Drive-By Truckers, along with festival slots from Hangout to Newport Folk and invitations to perform on national television and at NPR's Tiny Desk.

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