Search
Soriba Fofana & Kamus Sacko
January 12thSoriba Fofana & Kamus Sacko
January 12thRattlesnake Milk
January 13thYagody
January 16thYagody
January 17thLeftover Salmon
January 18thVienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thLevi Platero
February 19thVanessa Collier
March 13thAlash
March 13thTinsley Ellis
March 14thAlash
March 14thVanessa Collier
March 14thTinsley Ellis
March 15thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thArkansauce
March 26thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thAly & AJ
April 26thGhalia Volt
May 27thTab Benoit
May 28thSeratones
Add to Cal

Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs in the Hear This! Emerging Artist Free Concert Series and other events around Santa Fe and Albuquerque.
"We went through a pretty dramatic shift with this record," says Seratones frontwoman AJ Haynes. "The band lineup, the creative process, the sound: all of it changed in ways that really reflected our growth and evolution."
One listen to Power, Seratones' spectacular sophomore album, and it's clear just how much of an evolution has taken place. Produced by Cage The Elephant guitarist Brad Shultz, the record finds the Shreveport five-piece trading in the brash proto-punk of their critically acclaimed debut for a timeless brand of gritty soul, one that takes its cues from vintage Motown and Stax even as it flirts with modern synthesizers and experimental arrangements. Haynes' captivating voice remains front and center here, but her delivery this time around is more measured and self-assured than ever before, a beacon of confidence and clarity amidst a sea of social and political turmoil. Perhaps even more marked than the any sonic development on the record, though, is Haynes' lyrical turn, which points her gaze inwards for the first time as she grapples with race, gender, and justice, writing with an unfiltered honesty that at once exudes strength and vulnerability, hope and despair, beauty and pain.
"I learned to tap more into my own stories with these songs," says Haynes. "I came to recognize that I have this lineage and these inherited experiences that are beautiful and worthy of exploration. The more personal my writing got, the more deeply I was able to connect with people."
Seratones have been chasing those kinds of deep connections since 2016, when they first rocketed into the national spotlight with their breakout debut, Get Gone. Rolling Stone called the album a "fitful collision of punk, soul and jazz echoing out of a shed strewn with whiskey bottles," while Pitchfork praised the collection's "soulful grease and punky grit," and NPR hailed it as "lean and compact, with an impressive assortment of anthemic stompers." The music earned the band dates on the road with artists as varied as St. Paul & The Broken Bones, Thao & The Get Down Stay Down, The Dandy Warhols, and Drive-By Truckers, along with festival slots from Hangout to Newport Folk and invitations to perform on national television and at NPR's Tiny Desk.

prevent_tinymce_removal










