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Ally Venable
July 15thFlor de Toloache
July 16thFlor de Toloache
July 17thAndrea Magee's She Rises
July 18thOscar Butler
July 23rdCelloquacious and Eli del Puerto
July 24thInnastate
July 26thCelloquacious & Eli del Puerto
July 27thGreen Tara Puja
July 29thArkansauce
August 1stMark Hummel
August 2ndMark Hummel
August 3rdLuke Bulla
August 7th7Horse
August 9thLuke Bulla
August 9thRaul Midón
August 13thRaul Midón
August 14thLara Ruggles
August 20thLara Ruggles
August 21stThe WesternHers
August 23rdLevi Platero | Chris Dracup :Funk of the West
August 23rdThievery Corporation
September 3rdTab Benoit
September 9thDevon Allman's Blues Summit
September 9thTab Benoit
September 10thCoco Montoya
September 19thCoco Montoya
September 20thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thJ2B2
September 26thJohn Moreland
September 26thLasotras
September 27thSlim Cessna + Maria de Cessna
October 4thShonen Knife
October 11th"Stop Making Sense" Screening
October 12th"Stop Making Sense" Screening
October 13thHayden Pedigo
October 22ndKurbasy
November 8thKurbasy
November 9thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLuca Stricagnoli
November 21stRyanhood
November 29thRyanhood
November 30thJane Siberry
December 2ndJane Siberry
December 3rdSadness, Madness, & Mayhem III
January 24thSeratones
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Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs in the Hear This! Emerging Artist Free Concert Series and other events around Santa Fe and Albuquerque.
"We went through a pretty dramatic shift with this record," says Seratones frontwoman AJ Haynes. "The band lineup, the creative process, the sound: all of it changed in ways that really reflected our growth and evolution."
One listen to Power, Seratones' spectacular sophomore album, and it's clear just how much of an evolution has taken place. Produced by Cage The Elephant guitarist Brad Shultz, the record finds the Shreveport five-piece trading in the brash proto-punk of their critically acclaimed debut for a timeless brand of gritty soul, one that takes its cues from vintage Motown and Stax even as it flirts with modern synthesizers and experimental arrangements. Haynes' captivating voice remains front and center here, but her delivery this time around is more measured and self-assured than ever before, a beacon of confidence and clarity amidst a sea of social and political turmoil. Perhaps even more marked than the any sonic development on the record, though, is Haynes' lyrical turn, which points her gaze inwards for the first time as she grapples with race, gender, and justice, writing with an unfiltered honesty that at once exudes strength and vulnerability, hope and despair, beauty and pain.
"I learned to tap more into my own stories with these songs," says Haynes. "I came to recognize that I have this lineage and these inherited experiences that are beautiful and worthy of exploration. The more personal my writing got, the more deeply I was able to connect with people."
Seratones have been chasing those kinds of deep connections since 2016, when they first rocketed into the national spotlight with their breakout debut, Get Gone. Rolling Stone called the album a "fitful collision of punk, soul and jazz echoing out of a shed strewn with whiskey bottles," while Pitchfork praised the collection's "soulful grease and punky grit," and NPR hailed it as "lean and compact, with an impressive assortment of anthemic stompers." The music earned the band dates on the road with artists as varied as St. Paul & The Broken Bones, Thao & The Get Down Stay Down, The Dandy Warhols, and Drive-By Truckers, along with festival slots from Hangout to Newport Folk and invitations to perform on national television and at NPR's Tiny Desk.