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Cheryl Wheeler with Kenny White
December 4thCheryl Wheeler with Kenny White - SOLD OUT!
December 5thIris DeMent
December 5thClay Street Unit
December 6thBoomroots CD Release Celebration
December 7thLaurianne Fiorentino & Michael Kott
December 11thLaurianne Fiorentino & Michael Kott
December 11thMem Shannon
December 18thKalos
January 15thKalos
January 15thKalos
January 16thKalos
January 16thAMP Member Appreciation Concert
January 19thBands of Enchantment Season 4 Red Carpet Premiere
January 23rd3 On A Match Kabarett
January 24thAMP Member Appreciation Concert
January 24thJesse Cook
February 2ndJesse Cook
February 3rdThe Wildwoods
February 4thThe Wildwoods
February 5thTinsley Ellis
February 17thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thYagody
March 29thYagody
March 30thArkansauce - NEW DATE!
April 19thZoë Keating (New Date)
May 13thThe Young Dubliners
May 16thSeratones
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"We went through a pretty dramatic shift with this record," says Seratones frontwoman AJ Haynes. "The band lineup, the creative process, the sound: all of it changed in ways that really reflected our growth and evolution."
One listen to Power, Seratones' spectacular sophomore album, and it's clear just how much of an evolution has taken place. Produced by Cage The Elephant guitarist Brad Shultz, the record finds the Shreveport five-piece trading in the brash proto-punk of their critically acclaimed debut for a timeless brand of gritty soul, one that takes its cues from vintage Motown and Stax even as it flirts with modern synthesizers and experimental arrangements. Haynes' captivating voice remains front and center here, but her delivery this time around is more measured and self-assured than ever before, a beacon of confidence and clarity amidst a sea of social and political turmoil. Perhaps even more marked than the any sonic development on the record, though, is Haynes' lyrical turn, which points her gaze inwards for the first time as she grapples with race, gender, and justice, writing with an unfiltered honesty that at once exudes strength and vulnerability, hope and despair, beauty and pain.
"I learned to tap more into my own stories with these songs," says Haynes. "I came to recognize that I have this lineage and these inherited experiences that are beautiful and worthy of exploration. The more personal my writing got, the more deeply I was able to connect with people."
Seratones have been chasing those kinds of deep connections since 2016, when they first rocketed into the national spotlight with their breakout debut, Get Gone. Rolling Stone called the album a "fitful collision of punk, soul and jazz echoing out of a shed strewn with whiskey bottles," while Pitchfork praised the collection's "soulful grease and punky grit," and NPR hailed it as "lean and compact, with an impressive assortment of anthemic stompers." The music earned the band dates on the road with artists as varied as St. Paul & The Broken Bones, Thao & The Get Down Stay Down, The Dandy Warhols, and Drive-By Truckers, along with festival slots from Hangout to Newport Folk and invitations to perform on national television and at NPR's Tiny Desk.