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OUTREACH - Alash
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March 13thVanessa Collier
March 13thAlash
March 13thTinsley Ellis - SOLD OUT!
March 14thAlash - SOLD OUT!
March 14thVanessa Collier
March 14thGoodnight, Texas
March 15thTinsley Ellis
March 15thLúnasa
March 16thBackyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
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April 6thRoomful of Teeth
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April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thLone Piñon CD Release Celebration
June 5thEl Gozao & Los 33
June 12thSevero y Grupo Fuego and Lara Manzanares
June 19thRed Light Cameras and NEH
June 26thVibestrong and Dre Z Melodi
July 10thThe MacHeartbreakers
July 17thSteve Earle
August 8thAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rdCharley Crockett
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Tickets cost $25 in advance, $30 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show. There are no seats at the El Rey.
Charley Crockett is on one hell of a roll. His latest album, his third full-length in a little more than a year, Lil' G.L. Presents: Jukebox Charley takes the Texas singer-songwriter to some less explored corners of the classic country songbook. Among them are songs written by Tom T. Hall ("Lonely in Person," "I Hope It Rains at My Funeral"), Willie Nelson ("Home Motel"), and George Jones ("Out of Control").
Charley Crockett has been a fairly remarkable artist to follow. He's got a sound. He's got something to say. He has a look. And there's a gauzy veil of mystery surrounding him suggesting he knows more than he's letting on.
All those records in such a short amount of time have come with a "No Two Alike" guarantee: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots of The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo country-western if you'd like. It's true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.

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