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Gerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat - SOLD OUT!
November 3rdKurbasy
November 8thUkrainian Folk Singing Workshop with Kurbasy
November 9thKurbasy
November 9thOUTREACH - Kurbasy
November 10thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thRattlesnake Milk
January 13thLeftover Salmon
January 18thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thLevi Platero
February 19thAlash
March 13thAlash
March 14thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thCharley Crockett
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Tickets cost $25 in advance, $30 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show. There are no seats at the El Rey.
Charley Crockett is on one hell of a roll. His latest album, his third full-length in a little more than a year, Lil' G.L. Presents: Jukebox Charley takes the Texas singer-songwriter to some less explored corners of the classic country songbook. Among them are songs written by Tom T. Hall ("Lonely in Person," "I Hope It Rains at My Funeral"), Willie Nelson ("Home Motel"), and George Jones ("Out of Control").
Charley Crockett has been a fairly remarkable artist to follow. He's got a sound. He's got something to say. He has a look. And there's a gauzy veil of mystery surrounding him suggesting he knows more than he's letting on.
All those records in such a short amount of time have come with a "No Two Alike" guarantee: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots of The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo country-western if you'd like. It's true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.

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