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January 15thKalos
January 15thKalos
January 16thKalos
January 16thAMP Member Appreciation Concert
January 19thBands of Enchantment Season 4 Red Carpet Premiere
January 23rd3 On A Match Kabarett
January 24thAMP Member Appreciation Concert
January 24thJesse Cook
February 2ndJesse Cook
February 3rdThe Wildwoods
February 4thThe Wildwoods
February 5thTinsley Ellis
February 17thAcoustic Eidolon
February 18thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thRonnie Baker Brooks
March 13thRonnie Baker Brooks
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thJohn Splithoff
March 30thYagody
March 31stScott & Johanna Hongell-Darsee
April 5thArkansauce - NEW DATE!
April 19thZoë Keating (New Date)
May 13thThe Young Dubliners
May 16th
Charley Crockett
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Tickets cost $25 in advance, $30 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show. There are no seats at the El Rey.
Charley Crockett is on one hell of a roll. His latest album, his third full-length in a little more than a year, Lil' G.L. Presents: Jukebox Charley takes the Texas singer-songwriter to some less explored corners of the classic country songbook. Among them are songs written by Tom T. Hall ("Lonely in Person," "I Hope It Rains at My Funeral"), Willie Nelson ("Home Motel"), and George Jones ("Out of Control").
Charley Crockett has been a fairly remarkable artist to follow. He's got a sound. He's got something to say. He has a look. And there's a gauzy veil of mystery surrounding him suggesting he knows more than he's letting on.
All those records in such a short amount of time have come with a "No Two Alike" guarantee: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots of The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo country-western if you'd like. It's true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.
