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Adam Del Monte
February 7thAdam Del Monte
February 10thMusic and Culture in Sardinia
February 16thTinsley Ellis
February 17thAcoustic Eidolon
February 18thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stJesse Dayton
March 7thJesse Dayton
March 9thAltan
March 12thRonnie Baker Brooks
March 13thRonnie Baker Brooks
March 14thNani Vazana
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thJohn Splithoff
March 30thYagody
March 31stScott & Johanna Hongell-Darsee
April 5thThe Glass Hours
April 8thThe Glass Hours
April 9thNefesh Mountain
April 11thMatt Andersen
April 11thNefesh Mountain
April 12thMatt Andersen
April 12thArkansauce - NEW DATE!
April 19thThe Martin Sexton Abbey Road Show
May 10thThe Martin Sexton Abbey Road Show
May 11thZoë Keating (New Date)
May 13thThe Young Dubliners
May 16thCharley Crockett
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Tickets cost $25 in advance, $30 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show. There are no seats at the El Rey.
Charley Crockett is on one hell of a roll. His latest album, his third full-length in a little more than a year, Lil' G.L. Presents: Jukebox Charley takes the Texas singer-songwriter to some less explored corners of the classic country songbook. Among them are songs written by Tom T. Hall ("Lonely in Person," "I Hope It Rains at My Funeral"), Willie Nelson ("Home Motel"), and George Jones ("Out of Control").
Charley Crockett has been a fairly remarkable artist to follow. He's got a sound. He's got something to say. He has a look. And there's a gauzy veil of mystery surrounding him suggesting he knows more than he's letting on.
All those records in such a short amount of time have come with a "No Two Alike" guarantee: the darkly prescient Welcome to Hard Times; the semi-autobiographical, hard-core country-roots of The Valley; and 10 for Slim, his tribute of songs by the obscure and wholly authentic Texas honky-tonk maestro James Hand.
And still, despite his penchant for pearl snaps and western hats, Charley Crockett has managed to elude being pigeon-holed. Call him neo country-western if you'd like. It's true that few contemporaries present themselves as part of a lineage harkening back to Hank Williams and George Jones like Charley does, and even fewer can pull it off convincingly.