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Jesse Dayton - Postponed
March 9thAltan
March 12thRonnie Baker Brooks
March 13thNani Vazana
March 14thRonnie Baker Brooks
March 14thNani Vazana
March 14thLúnasa
March 18thGoodnight, Texas
March 19thGoodnight, Texas
March 20thK.Flay
March 25thK.Flay
March 25thDavid Wilcox
March 27thDavid Wilcox
March 28thYagody
March 29thJohn Splithoff
March 30thYagody
March 31stScott & Johanna Hongell-Darsee
April 5thThe Glass Hours
April 8thThe Glass Hours
April 9thNefesh Mountain
April 11thMatt Andersen
April 11thNefesh Mountain
April 12thMatt Andersen
April 12thRight in the Eye
April 18thArkansauce - NEW DATE!
April 19thThe Martin Sexton Abbey Road Show
May 10thThe Martin Sexton Abbey Road Show
May 11thProyecto Cumbion with 123 Andres
May 11thZoë Keating (New Date)
May 13thJoe Abercrombie
May 15thCris Williamson
May 15thCris Williamson
May 16thThe Young Dubliners
May 16thLuciane Dom
June 3rdAndrea Magee's She Rises
July 18thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thLuca Stricagnoli
November 21stAlejandro Brittes
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Tickets cost $30 and $50 (plus service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Alejandro is particularly excited to be performing in San Miguel Chapel! Much of his music and research explores how the unique chamamé music of Argentina grew from a melding of indigenous Guaraní culture and Baroque music introduced by Jesuit missionaries, so the setting is perfect. If chamamé sounds familiar, we have brought it to New Mexico once before, when another leading practitioner and sometime collaborator Chango Spasiuk came to ¡Globalquerque! in 2007.
Hailed by the Boston Globe as a "premier exponent of Chamamé," composer and researcher Alejandro Brittes explores his chamamé heritage, an ancestral rhythm connecting us with the Earth and the Universe through music and dance, which was born of the encounter between the ritual musicality of the indigenous Guaraní and Baroque music. Having toured extensively in South America and Europe, Brittes recently completed a Mid Atlantic Arts Foundation Iber Exchange-supported 2023 U.S. East Coast Tour: Library of Congress, Georgetown University, Hamilton College, The Trust PAC (PA), Levitt Pavilion (CT), and other venues.
Alejandro's concerts establish a connection with the earth, with the origins of the music of his home region and with the universe, in primordial verticality. His trademark is to employ his accordion as if it were a bandoneón, in conversation between the left and right hands, achieving that the instrument be utilized in its highest performance. The basses of the left hand are masterfully explored, because according to Alejandro, the low basses connect us with the earth, and the right hand button keyboard, beyond providing melody to the music, elevates us to the Universe.