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Hayden Pedigo
October 22ndIndigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat - SOLD OUT!
November 3rdKurbasy
November 8thKurbasy
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November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
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November 30thTrey Gunn and David Forlano
December 6thZenobia
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January 18thSadness, Madness, & Mayhem III
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March 23rdGwenifer Raymond
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March 28thJane Siberry
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April 6thRoomful of Teeth
April 8th
Tickets cost $18 in advance, $23 day of show (plus a $2 service charge). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show.
Y La Bamba is an enigmatic indie folk-pop project fronted and led by singer and songwriter Luz Elena Mendoza Ramos. Her group's sound weds Mexican folk styles from mariachi, nueva canciones, and norteño to trippy American folk-rock and dreamy indie pop with songs that center on themes of spirituality, romantic and familial love, and social justice. Mendoza sings in both Spanish and English. (Thom Jurek, All Music Guide)
"Lucha is a symbol of how hard it is for me to tackle healing, live life, and be present," Mendoza Ramos says of the title behind Y La Bamba's new album, which translates from Spanish to English as "fight." It is also a nickname for Luz, which means light. The album explores multiplicity—love, queerness, Mexican American and Chicanx identity, family, intimacy, yearning, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist.
Lucha was born out of isolation at the advent of COVID-19 lockdowns, beginning with a cover of Hank Williams' "I'm So Lonesome I Could Cry," and following Mendoza Ramos as she moved from Portland, Oregon to Mexico City, returning to her parents' home country while revisiting a lineage marred by violence and silence, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects "another tier of facing vulnerability," as Mendoza Ramos explains, and is a battle cry to fight in order to be seen and to be accepted, if not celebrated, in every form—anger and compassion, externally and internally, individually and societally. As much as la lucha is about inner work, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized.