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Ally Venable
July 15thFlor de Toloache
July 16thFlor de Toloache
July 17thAndrea Magee's She Rises
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July 23rdCelloquacious and Eli del Puerto
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August 2ndMark Hummel
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August 23rdThievery Corporation
September 3rdTab Benoit
September 9thDevon Allman's Blues Summit
September 9thTab Benoit
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September 19thCoco Montoya
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September 24thAlasdair Fraser & Natalie Haas
September 25thJohn Moreland
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October 11th"Stop Making Sense" Screening
October 12th"Stop Making Sense" Screening
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October 22ndKurbasy
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November 9thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLuca Stricagnoli
November 21stRyanhood
November 29thRyanhood
November 30thJane Siberry
December 2ndJane Siberry
December 3rdSadness, Madness, & Mayhem III
January 24th
Tickets cost $18 in advance, $23 day of show (plus a $2 service charge). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show.
Y La Bamba is an enigmatic indie folk-pop project fronted and led by singer and songwriter Luz Elena Mendoza Ramos. Her group's sound weds Mexican folk styles from mariachi, nueva canciones, and norteño to trippy American folk-rock and dreamy indie pop with songs that center on themes of spirituality, romantic and familial love, and social justice. Mendoza sings in both Spanish and English. (Thom Jurek, All Music Guide)
"Lucha is a symbol of how hard it is for me to tackle healing, live life, and be present," Mendoza Ramos says of the title behind Y La Bamba's new album, which translates from Spanish to English as "fight." It is also a nickname for Luz, which means light. The album explores multiplicity—love, queerness, Mexican American and Chicanx identity, family, intimacy, yearning, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist.
Lucha was born out of isolation at the advent of COVID-19 lockdowns, beginning with a cover of Hank Williams' "I'm So Lonesome I Could Cry," and following Mendoza Ramos as she moved from Portland, Oregon to Mexico City, returning to her parents' home country while revisiting a lineage marred by violence and silence, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects "another tier of facing vulnerability," as Mendoza Ramos explains, and is a battle cry to fight in order to be seen and to be accepted, if not celebrated, in every form—anger and compassion, externally and internally, individually and societally. As much as la lucha is about inner work, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized.