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Zoë Keating - Postponed
November 15thKristina Jacobsen
November 17thThokozani Mhlambi
November 19thTopHouse
November 21stHolly Near with Jan Martinelli
November 23rdHolly Near with Jan Martinelli - SOLD OUT!
November 24thCheryl Wheeler with Kenny White
December 4thCheryl Wheeler with Kenny White - SOLD OUT!
December 5thIris DeMent
December 5thClay Street Unit
December 6thBoomroots CD Release Celebration
December 7thLaurianne Fiorentino & Michael Kott
December 11thLaurianne Fiorentino & Michael Kott
December 11thMem Shannon
December 18thKalos
January 15thKalos
January 15thKalos
January 16thKalos
January 16thBands of Enchantment Season 4 Red Carpet Premiere
January 23rd3 On A Match Kabarett
January 24thJesse Cook
February 2ndJesse Cook
February 3rdThe Wildwoods
February 4thThe Wildwoods
February 5thTinsley Ellis
February 17thThe Ocean Blue
February 21stKathleen Edwards
February 22ndKathleen Edwards
February 23rdAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thLúnasa
March 18thK.Flay
March 25thYagody
March 29thYagody
March 30thArkansauce - NEW DATE!
April 19thThe Young Dubliners
May 16th
Tickets cost $18 in advance, $23 day of show (plus a $2 service charge). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show.
Y La Bamba is an enigmatic indie folk-pop project fronted and led by singer and songwriter Luz Elena Mendoza Ramos. Her group's sound weds Mexican folk styles from mariachi, nueva canciones, and norteño to trippy American folk-rock and dreamy indie pop with songs that center on themes of spirituality, romantic and familial love, and social justice. Mendoza sings in both Spanish and English. (Thom Jurek, All Music Guide)
"Lucha is a symbol of how hard it is for me to tackle healing, live life, and be present," Mendoza Ramos says of the title behind Y La Bamba's new album, which translates from Spanish to English as "fight." It is also a nickname for Luz, which means light. The album explores multiplicity—love, queerness, Mexican American and Chicanx identity, family, intimacy, yearning, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist.
Lucha was born out of isolation at the advent of COVID-19 lockdowns, beginning with a cover of Hank Williams' "I'm So Lonesome I Could Cry," and following Mendoza Ramos as she moved from Portland, Oregon to Mexico City, returning to her parents' home country while revisiting a lineage marred by violence and silence, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects "another tier of facing vulnerability," as Mendoza Ramos explains, and is a battle cry to fight in order to be seen and to be accepted, if not celebrated, in every form—anger and compassion, externally and internally, individually and societally. As much as la lucha is about inner work, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized.