Search
Santa Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thAnn Napolitano
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thKiran Ahluwalia
May 12thMariee Siou
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thNew Mexico Heritage Celebration
May 18thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thCarolyn Wonderland
July 23rdLara Manzanares
July 24thCarolyn Wonderland
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thAlejandro Brittes
September 20thThird World
October 3rdCeú
October 8thTopHouse
November 21st
Tickets cost $18 in advance, $23 day of show (plus a $2 service charge). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show.
Y La Bamba is an enigmatic indie folk-pop project fronted and led by singer and songwriter Luz Elena Mendoza Ramos. Her group's sound weds Mexican folk styles from mariachi, nueva canciones, and norteño to trippy American folk-rock and dreamy indie pop with songs that center on themes of spirituality, romantic and familial love, and social justice. Mendoza sings in both Spanish and English. (Thom Jurek, All Music Guide)
"Lucha is a symbol of how hard it is for me to tackle healing, live life, and be present," Mendoza Ramos says of the title behind Y La Bamba's new album, which translates from Spanish to English as "fight." It is also a nickname for Luz, which means light. The album explores multiplicity—love, queerness, Mexican American and Chicanx identity, family, intimacy, yearning, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist.
Lucha was born out of isolation at the advent of COVID-19 lockdowns, beginning with a cover of Hank Williams' "I'm So Lonesome I Could Cry," and following Mendoza Ramos as she moved from Portland, Oregon to Mexico City, returning to her parents' home country while revisiting a lineage marred by violence and silence, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects "another tier of facing vulnerability," as Mendoza Ramos explains, and is a battle cry to fight in order to be seen and to be accepted, if not celebrated, in every form—anger and compassion, externally and internally, individually and societally. As much as la lucha is about inner work, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized.