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Scott and Johanna Hongell-Darsee
August 1stNosotros
August 1stSteve Earle - SOLD OUT!
August 8thThe Cybertronic Spree
August 9thBlack Joe Lewis & The Honeybears
August 13thAlbert Castiglia
August 17thAlbert Castiglia
August 18thThird World
August 19thLos Texmaniacs & Lisa Morales
August 21stRon Crowder
August 28thWest Texas Exiles
September 10thThe Wailers
September 11thYungchen Lhamo
September 11thYungchen Lhamo
September 12thDía de los Muertos
October 3rdCoco Montoya
October 8thCoco Montoya
October 9thCoco Montoya
October 10thThe Wildwoods
October 16thKUNM Turns 60!
October 17thChris Duarte
October 23rdChris Duarte
October 24thJoanne Shaw Taylor
October 28thSteve Poltz
December 3rdArkansauce
December 4thAly & AJ (New Date!)
December 16thKeller Williams
January 14thKalos
January 27thKalos
January 28thInternational Guitar Night XXVII
February 23rdCrystal Methyd
March 22ndHataałii
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Thanks to the New Mexico Music Commission and the Friends of the Public Library for funding these library shows!
Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs and other events around Santa Fe and Albuquerque.
Hataałii—the singer, songwriter, and poet born Hataałiinez Wheeler in Window Rock, AZ, the capital of Navajo Nation—arrived just in time to witness American collapse. Not a galvanizing, grand explosion of empire but a paralysis-inducing decay and alienation that infects the American body politic. Zealotry repurposed into a new cultural crusade every week. Reality-building and delusion affirmation masquerading as liberty. The show-horse ladder of success. Pandora's Box purchased on credit, driving everyone mad in different ways, algorithmically determined to suit your unique neuroses.
It's from this vantage point that Hataałii brings us Waiting For A Sign, a heady collection of ghost town anthems, short story mirages, and brain fog-clearing personal reckonings. At times it recalls the playfully languid puzzlement of Pavement's Wowee Zowee, the trickster melancholy of Lou Reed's The Blue Mask, the economical yet winking earnestness of Blaze Foley, or the softer Spacemen 3 songs that cast awe and mystery against a droning, endless atmosphere. But, as easy as the tempos can get, Hataałii operates with purpose: the obscurantist details come into focus, giving way to trenchant observations about paranoia, accountability, and post-colonial fallout.

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